Vedere House
The honey-stone Georgian facade of Hadspen House on a clear summer afternoon, lawns running up to the front door.

Somerset · England

The Newt in Somerset

A working Somerset estate set around a Georgian house and a walled garden, with two hotels, a Roman villa and a cyder press — quietly run, slowly farmed, and hand-built down to…

La note

A country estate run as a single, considered idea — house, garden, dairy, cyder press and Roman villa held together by one editorial hand. The shape of a long English weekend, drawn at the scale of a private kingdom.

From the editors · Vedere House

Les particularités

Style
Georgian country house and a newer farmyard, on a thousand-acre working estate
Estate
Hadspen House, the Farmyard, the Parabola garden, orchards, dairy and a Roman villa
Tables
The Botanical Rooms, Garden Café, Farmyard Kitchen, the Creamery and the Roman Villa café
Cellar
The cyder press — fine wing, dry, perry — drawn from the estate's own apple varieties
Spa
The Spa, written into the woods behind Hadspen — pool, sauna, garden treatments
Best for
A long, slow weekend out of London — the kind that takes a full Friday on the train
Season
April through October for the gardens; October for the apple harvest and cyder press

The Newt occupies a thousand acres of south Somerset and runs them as one continuous idea. Hadspen House — the Georgian core, in honey-coloured local stone — is the older hotel; the Farmyard, a few minutes through the estate, is the newer one. Between them sit the Parabola walled garden, the apple orchards, the Cyder press and a reconstructed Roman villa.

What the estate has and most country properties don't is editorial coherence. The same hand draws the menu illustrations, the cyder labels, the path signage and the staff dress. The kitchens read what the garden grows; the cyders are pressed from the orchards behind the press house; the soap and the labels are made on-site. Very little is bought in.

The afternoons are the property's gift — a Roman villa to walk through, a bee museum, a colour-saturated garden museum, a dairy at one edge and a perry shed at the other. Dinner at the Botanical Rooms, an early walk to the cyder press, a slow Sunday with one of the Garden Café tables held until lunch begins to clear. Two days is the right length; three is better.

Moments choisis

A misty Somerset valley at dawn, sheep grazing in the foreground and trees fading into the fog.

01

The estate, before breakfast

The valley below the house holds the morning mist into late spring. Sheep on the grass, frost on the reed beds — a small walk before the day begins, and the part of the property that doesn't need the brand.

A hand-painted colour wheel with botanical flowers — tulip, primula, foxglove — arranged at its base.

02

A garden written by hand

The Newt's design language is drawn rather than printed — botanical plates, colour wheels, hand-set type. It runs through the menus, the labels, the soap. The garden is the source; everything else is its translation.

A close view of a plate of leaves, nasturtium flowers and roasted pepper, a hand lifting a forkful in soft window light.

03

A plate from the Parabola

Lunch in the Garden Café reads like the morning's harvest. Nasturtium, brassica, cyder vinegar — the kitchen sits a hundred steps from the bed it was cut from, and the plate hardly leaves the garden.

Dans la maison

A family in white robes walking through the gardens at Hadspen, past a stone tower covered in climbing roses.
The Roman Villa café — a curved glass dining room overlooking the excavated foundations of a Roman villa, hung with reed-bound chandeliers.
The reconstructed interior of the Roman villa, frescoed walls in soft greens and ochres above mosaic floors and a pair of ceremonial daybeds.
A young apple tree heavy with red cyder fruit at dawn, the orchard fading into mist behind it.

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